2009/09/07

Recollecting Singapore 60s.

EMI & Warner Music has recently re-issued the two Recollecting Singapore 60s albums that were orginally released in 2007. This double CD set is a compilation of 40 tracks by local and regional artistes from the 60s & 70s who recorded under the EMI label.

The artistes featured include The Quests, The Sundowners & The Tornados, The Blackjacks, Matthew & The Mandarins, The Surfers, Asha Puthli, Rita Chao, The Xperiment, Sarah Chen, Straydogs, Frankie Cheah, The New Topnotes, Sugiman Jahuri, Sakura Teng, Pietro Attila & The Warlocks, Tony & Terry, Tania, Western Union Band, Anita Sarawak and Lam Leng.

For those who missed out on these two CDs the first time round, this is a good opportunity to pick them up before its too late. There is also the added bonus of four Christmas songs by The Quests. Something from the past, and yet another collector's item. Cheers to local music from the 60s & 70s !

2009/07/28

A Journey Through Local Music

Dear Friends,

Yet another opportunity to travel back in time and listen to local music from the 60s and 70s and more.... Artistes performing on 8th August 2009 at Esplanade Amphitheater include:-

1900 – 1940 hr: Matthew & The Mandarins
2000 – 2040 hr: Robert Fernando & Clement Chow
2100 – 2140 hr: Vernon Cornelius (Lead vocalist of The Quests)
2200 – 2240 hr: Gypsy.

Checkout the Esplanade - Theatres On The Bay website for more details. Cheers.

2009/05/22

100 Greatest Singapore 60s - The Definitive Collection

The onset of the Sixties saw Singapore well poised to ride the waves of international pop trends. It had been a scant six years since the first wave of Rock and Roll hit our shores. To the elders it had seemed like the end of civilisation as they knew it. This was youth culture. At once mysterious and alluring. The elders had no part it. The music was for the most part unintelligible but it conveyed its message to the young. Soon a few of the brave were venturing forth creating what they heard on records. Singers, duos and trios abounded. Only a few bands such as The Stompers and Esquires formed before the Sixties loomed.

It was a Cliff Richard and The Shadows concert in Singapore held in November 1961 that opened the floodgates. Suddenly light bulbs popped in more than a few budding Singaporean musicians. The blueprint for a band. Lead guitar, rhythm guitar, bass guitar and drums. Fronted by a singer. Suddenly bands were forming all over the island and clamoring for gigs wherever they could get it. The entrepreneurs, owners of restaurants and night clubs sensed an economic opportunity. If they could offer venues for the bands to play in that would bring in the punters. They were not slow to follow it through. Venues mushroomed round the island and then tea dances were held over the weekends. To be young in the Sixties was to be spoiled for choice. Shows almost every night and bands and singers by the dozens.

It would not be long before the recording companies would come sniffing. They were skeptical initially. Yes there is a lot of excitement but would it sell. Into the fray entered Philips. They signed Ruby Wah and released an EP which contained Jazz and mainstream oriented material. Respectable sales but no real indicator. Then they decided to take a chance on a vocal quartet fronted by the irrepressible Susan Lim. This was the Crescendos. Their first two releases sold upwards of 25,000 units and hit number one in both Singapore and Malaysia. At that time, Malaysia and Singapore was considered one market and it was not uncommon for a single to be released simultaneously in Singapore and Malaysia and followed by a long haul tour the length and breadth of Malaysia.

Suddenly the gates were swung wide open. Philips decided to go whole hog. Their talent scouts checked out venues and shows all over the island beginning 1964. There was a joke then that the depth of talent in Singapore was so deep that semi finalists of the Radio and Television talentime of that year were being signed. The artistes that you hear on this collection shows that diversity. Philips signed a wider range of talent than other labels. They were not afraid to take a chance on bands playing Rhythm and Blues such as The Cyclones, Bryan Neale, those playing the new fangled Soul such as Denni Wilson and The Commancheros and even emerging psychedelic which peeps out via Clansmen and Stevie Lorraine.

However pop still ruled the roost and artistes such as Naomi and The Boys, Shirley Nair and The Silver Strings, The Thunderbirds, Wilson David, Sonny Bala and The Moonglows, The Dukes with their various singers, Henry Suriya, Veronica Young and Heather provided plenty of releases in that direction. The releases became a flood in 1965 and fans were delirious knowing that each week would bring new releases from Philips. They did not disappoint and soon enough by 1966 had the largest roster of artistes in Singapore. They also entered the Malay and Mandarin market when they realised that Pop Yeh Yeh and Mandarin Pops had their own following.

For a four year period from 1965 to 1968 Philips had a major presence in the Singapore music scene and made names like Naomi Suriya, Shirley Nair, Heather, Thunderbirds, Cyclones, Alan Lyford household names not only in Singapore but also in Malaysia and even in Brunei where some of these acts did shows. This five cd box set of Philips Sixties depicts a time in Singapore's pop music history when the universal fever for pop also reverberated here and the breadth of styles and music played here reflects that diversity. Perhaps a feat never to be repeated.

By Joseph.C.Pereira, Author of "The Legends of the Golden Venus' book

2009/05/20

Those Were The Days

Reunion Of The 60's - remember the concert that was held at the Vivocity Amphitheatre in November 08 ? Well, fans of local music from the 60s are in for yet another great treat again ! Another musical trip back in time to those glorious days of the 60's has been scheduled on 23 & 24 July 09 at the Singapore Orchid Country Club. Check out the details on the accompanying poster. Incidentally, these are exciting times for fans of local music....more good news are in store in the coming days. Hang loose guys !

Best Regards,
vernon cheong

2009/04/02

My Recollections Of The 60s

Looking back through the years, the 60s was probably one of the most exciting periods for the post-war babies. Some of the events that captured my imagination and left lasting impressions until this day helped shape my life and destiny to a certain extent.

The first pop song that rang in my ears during my early childhood around the late 50s was Fraulein by Bobby Helms. That was also when Rediffusion began to eclipse Radio Singapore as my favorite broadcasting station. At that time, Rediffusion was the rallying point for teenagers who were hungry for western music, culture and more. A very competent and popular group of DJs helped its cause, with the likes of Mike Ellery, Larry Lai, Eric Lim, Peggy Ross, Noreen Sales, among others.

Programs like Top Tunes Of The Week, PO Box 608, British Top 20s, Stars On Wings, and Rediffusion Discovery Show etc. kept most of us glued to the music box day and night. The talentime shows brought some of the best entertainment value, not only during the show proper but also during the audition stages. The potential contestants were required to showpiece their talents to a panel of judges before they could qualify for the competition. There was this guy who probably held a metal plate with a stick, waiting for the signal from the judges to “strike off” contestants in the midst of their performance with a loud “GONG!” I always wonder about the feelings of a 4-piece instrumental group that had spent weeks or months practising their song only to be struck off within a minute or less during their audition. Remember this funny bit?

There was another program entitled “Feuding And Fighting”, hosted by two of the most popular DJs from Rediffusion. Each week there would be a contest between two pop groups or artistes and fans would vote for their favorites, e.g. Beatles vs Rolling Stones, Cliff vs Elvis, and each of the DJ would lend support to one of the two contesting parties. During the program, there would also be some contests where listeners were invited to participate by naming the title or artiste of songs featured and prizes given out to winners were normally the latest LP albums. There was this occasion during an evening show when the DJ announced that the first listener who turned up at the Rediffusion studios at Clemenceau Avenue would receive a gift. Not surprisingly, the winner was someone who turned up in a pair of pajamas! There was also a 15-minute program when listeners were given a chance to be the DJ and got to select his/her own choice of songs. Those were really fun days, thanks to Rediffusion.

When I started my record collection, the first SP that I purchased from a shop along Middle Road was by The Fabulous Echoes of Hong Kong. The titles on that SP were Little Peanut Shell and Waray Waray. Ring a bell to anyone? Don’t think so because both were not hits at all! When the local groups came knocking at the door, Susan Lim & the Crescendos stood out prominently with hits like Mr. Twister, Waktu Fajar, The Boy Next Door, Besame Mucho, and the list went on and on. Don’t Play That Song by Keith Locke & The Quests was a major milestone in local music. The first time I heard the song, I thought it was by a foreign group! Another great vocal recording then was My Lonely Heart by The Thunderbirds. Of course, there were many other great recordings from the local scene, but I shall not attempt to name all of these for the simple reason that I may omit some inadvertently. They were all great tunes from a golden period, rich with local talents and strong support from fans.

Some of the songs that reminded us about the wonderful region we reside in included Singapura by Sandra, Oh Malaya by Anneke Gronloh, Midnight In Malaya & Sunrise In Malaysia by Boy & His Rollin’ Kids, Malaysia Wonderful by The Sundowners & The Tornados etc. Each time I hear any of these songs now, I would try and recall what I was doing during that period in time. A strong sense of nostalgia.

The Xperiments also stood out after my two-year interval from the local pop scene, serving National Service. They were the resident group at the Lost Horizon, Shangri-La Hotel at Orange Grove Road. My colleagues and I frequented the joint despite our meager monthly income of about $280. That’s when I was introduced to the “horns” or brass instruments, listening to songs like Vehicle by the Ides of March, We Got To Live Together by Buddy Miles, and some of the evergreen favorites like Let Me Try Again & Love’s Been Good To Me by Frank Sinatra, If I Could Reach You by Johnny Mathis, After The Lovin’ by Engelbert Humperdinck, among many others.

Besides live performances by local acts at the National Theatre and the Singapore Badminton Hall, there were also the more economical options, like the Musical Express Show at the Capitol and the Early Bird Show at the Odean cinemas. For an admission fee of only $2, you got to enjoy about 2 hours of live entertainment by some of our best local talents such as The Trailers, The Thunderbirds, The Quests, Sakura Teng, Rita Chao, Lara Tan, top comedians like Uncles Wang Sa & Ya Fung, Hamid Bond & Ah Leng, et al.

And there was Sungei Road where you could get second-hand items ranging from radios, magazines, watches, clothes, records etc, anything under the sun! Record stalls were in abundance, carrying local and foreign recording labels. The Mandarin pop culture was more dominant here, loudspeakers blaring out latest releases by The Stylers, The Travellers, Wang Ching Yuen, Lina Lim, Chang Seow Ying, Ling Seow, Suyin, Sakura Teng, Rita Chao, Lara Tan, Lam Leng and more. Among the goodies, there were also bootleg versions, selling at half the price or even less! I picked up several records by local groups and artistes from here, until this day. Time has moved on, but Sungei Road is still the same as it was during the 60s.

Well, these are just a few recollections of my 60's years which I hope would also rekindle your own favorite moments of those times. Do share them with us here. Cheers!

Best Regards,
Vernon Cheong

2009/03/12

The Quest To Be The Best

The original duo who formed The Quests -the first local group to record an LP - Jap Chong, the rhythm guitarist, continues to rock the house down with gigs, while Raymond Leong, who played the lead guitar, is now a successful engineer.

"It was our passion and love for music that helped us succeed. Our main aim was to entertain. Also, without the Talentime at Queenstown Technical School all those years ago, there would not be The Quests" - Jap & Raymond.

2008/09/28

Singapore 60's

The Internet audience, who has surfed onto this site, may be wondering why the folks here are so passionate about what is referred here as Singapore 60's Pop Music. They may ask, what's so special about these pop songs from the 1960's? Well, friends, since you so kindly asked, let me see if I can give you a little explanation.

To us folks here who grew up in Singapore listening to these pop songs in the 1960's, this genre was the soundtrack of our generation. Most of us were teenagers then, and we lived and breathed this local music during a time in our lives when we, just like the rest of the world then, were being bombarded by the lifestyles and music of the Western world. We're talking Cliff Richard and The Shadows, The Beatles, the British Invasion, and also the many great American artistes. Our own local artistes brought something extra to our table. We could not help but be very proud of our own hometown heroes because they proved themselves totally capable of ruling the radio airwaves with the best of the Western world. The Crescendos, The Sundowners, The Quests, The Trailers, Naomi & The Boys, The Jets, The Cyclones, The Thunderbirds, and the list goes on and on.

Now, some friends from the Internet may say that our local singers and bands covered the Western hits a bit too much, that they were essentially copycats. That's not entirely true. Even though it may appear that way on the surface, the heart of the matter is that the Western world introduced to us teenagers a new medium of communication - pop music - and the local artistes quickly proved that they could speak the new language as well as the people who taught us the language. Besides, there were plenty of original made-in-Singapore compositions that became hits.

Along with much of the Far East, Singapore had also suffered horribly during World War II and the Japanese Occupation. After the war ended, and normal life had to be rebuilt, she saw her own post-war baby boom in the late 1940's and early 1950's. It was a very loud boom. And by the 1960's these baby boomers in Singapore were teenagers.The war had changed the world. It had become smaller, so to speak, what with newspapers, radio and television bringing us all together and opening our eyes. The first wave of Singapore baby boomers soaked in the Western influences as hungrily as a sponge absorbs water. The mass media taught us that we had the same rights as any other citizens of this world to claim our fair share of liberty and justice and prosperity for all. There was no stopping us now.

We baby boomers in Singapore in the 1960s also wanted what the teenagers in America and Europe wanted, a better life than what our parents had when they were young.Looking back, the world in the 1960's was ripe and ready to be conquered by Western artistes like Cliff Richard and The Beatles. Their pop music symbolized the new life, the good life, and we all wanted a part of it. We were young, our future was ahead of us, we didn't have to worry about paying the bills, that's for our parents to worry about.

Many new countries in the Far East, including Singapore and Malaysia, became newly-independent in the early 60's, another sure sign that the world was changing rapidly as we left the colonial days behind. We all wanted to break free of many of the old traditions that were holding us back in terms of enjoying life to the fullest. Each new country was striving to instill national pride among their own citizens, especially their young schoolchildren.Fast forward forty years to today. The folks who were teenagers in Singapore in the 1960's are now in their 50's and early 60's. So much has happened in all our individual lives the last four decades, so many memories.

Memories of people, memories of places, memories of events. Some of our loved ones have left us, some of our childhood friends we have not seen in years.One of the best things that can trigger good memories for us instantly is these pop songs from our childhood. That's why to us these are not just pop songs from forty years that come and go casually. Forget musicology. Forget music styles. These songs are truly the soundtrack of our lives.A big thank you to all our local heroes of Singapore 60's Pop Music. You guys were the absolute best, and you have our eternal gratitude and devotion.

To our new Internet friends, thank you for visiting. I hope I have shared in a small way with you why we are such long-time die-hard fans of Singapore 60's Pop Music. For us to deny this music now is to deny our own childhood, our own past, and we cannot do that. - Joe Wu, Seattle WA USA.

2008/09/11

Made In Singapore

Picked up this album of local artistes in 1987. The compilation of songs include In A Small Way (Jacintha, Clement, Li Huan & Robert Fernando), The Wedding Song (Angeline), Within You'll Remain (Tokyo Square), One Chance (Lolita), Rejuvenation (Urazea), Roses (Gingerbread), Cold In Buriram (Zircon Lounge), On And On (Jacintha), Love In Any Language (Angeline), Love One Another (Onesimus Principle), Funny (Streetsmart), Rose Rose I Love You (Dick Lee), Only The Lonely (Matthew Tan) and We've Gotta Get Out Of This Place (Hangloose).

2008/09/10

Bryan Neale & The Checkmates

Bryan Neale & The Checkmates recorded an EP with songs that include Mojo, She, Enchanted Girl and Man Hunter.

Tracy With Tony

Tracy Huang and Tony (of Tony, Terry with Spencer fame), recorded an album together titled "Weekend" with songs that include Will You Remember Me, January February, Him, Can't Get By Without You, You've Lost That Loving Feeling, Shooting Star, Suddenly, Elusive Butterfly, Devoted To You, Woman In Love and the title song Weekend.

Fu Suyin

Fu Suyin aka Henry Fu, was one of the pioneers among the Mandarin pop idols during the 60s. He was also instrumental in promoting Mandarin pops for EMI Singapore that produces A-Go-Go Queens like Rita Chao and Sakura Teng. Suyin himself was a very popular singer who recorded several albums with The Quests. Some of his recordings include Ramona, Green Green Grass Of Home, Love At First Sight, Lady Jane, Fraulein, Greenfields, You Don't Have To Say You Love Me, House Of The Rising Sun, Portrait Of My love, Yesterday, First Bend Of The River, Summer Wine, among others.

Talk Of The Town - Rita & Sakura

Rita Chao and Sakura Teng recorded several albums together, with The Quests. Their first was Talk Of The Town which also featured keyboard masetro Jimmy Chan in the Quests line-up for the first time. The album offers a mix of English, Mandarin and even Japanese songs. Some of the titles include Say Yes My Boy, Honemade Aishite, Crying In The Storm, Itsemademo, Yellow Bird, Love Is Blue, She Wears My Ring, Tell The Boys, and others.

2008/09/08

Rainbow Over Mocambo

This marvellous piece of artwork was designed and painted by Mr. HJ Teo, one of the biggest Quests fans in Singapore. It was his way of paying tribute to one of the best local groups from the 60s. The song titles of all their past recordings are included in the artwork. It took HJ about 6 months to complete the job. The original intent was to include it in the CD sleeve of Recollecting The Quests, Vol.2 album but was missed out because of scheduling constraints.

Also missing out on a suitable title for this neat piece of artwork, we were fortunate that fellow fan, Ms Rachael Anne-Tan appropriately suggested "Rainbow Over Mocambo- The Journey of The Quests." Apart from reminding us of their successive hit recordings during the 60s, the artwork also gives us a sense of passage for the boys from the early days of Shanty, Tea Break, Gallopin', Come On And Shout, You Lied...to their "ConQuest" of Hong Kong with Mr. Rainbow, La La La Means I Love You, Sayonara and more, at the Mocambo Night Club.

2008/09/04

Keeper Of Classics

Music fan Vernon Cheong has fond memories of the now- defunct Capitol Theatre, just steps away from the cafe in Capitol Building, where this interview took place. It isn't classic films that he reminisces over, but local English language bands like The Quests, that would hit the theatre's stage on Sunday mornings back in the 1960s. "Those performances, held at the Capitol and Odean cinemas, would start at 9 am and end usually by 11 am" said the 56-year old airline operations manager, who is married with two daughters in their 20s. "I remember paying $2 to get in." Over the years, Mr. Cheong has amassed an impressive collection of 1960s and 1970s Singapore music in vinyl records that even music company EMI Singapore had to tap into when they were compiling local golden oldies into CDs.

Recollecting Singapore 60s, launched just before Christmas last year, and its Volume Two, which was released last month, contain popular 1960s hits by local bands like The Quests, The Blackjacks, The Straydogs, as well as a sprinkling of more recent tracks, like songs by Tania and Sarah Chen . According to an EMI spokesman, many master tapes of such recordings were misplaced over time after office moves, so the songs were mostly transferred from selected albums and singles that Mr Cheong has recommended from his library of approximately 200 discs of local music.

The tracks were then digitally enhanced to ensure sound clarity, though Mr Cheong pointed out that most aficionados wouldn't mind an occasional vinyl pop or hiss in their bid to secure these rare recordings. "I'm not paid for the loan of my records." he admitted. "The main motivation for my participation in this project is to share my collection with music lovers of my generation and to preserve it for generations to come." The O level graduate had saved his pocket money while studying at Beatty Secondary School and later used his pay from National Service to splurge on singles and albums priced at $2 and $10 respectively. "In those days, there was a fair mix of local and foreign bands being played on radio." he said. "Local bands were also frequently invited to appear in variety shows on television, with regular gigs performed at the Singapore Badminton Hall and National Theatre." He added " After the British withdrew their military forces from Singapore and an influx of Filipino bands entered the night scene, local music began to show its decline during the mid-1970s."

In his spare time, Mr Cheong manages an MSN group called Recollecting The Quests, an online forum dedicated to his favourite band. On the forum, members wax lyrical over recent retro concerts or the latest sightings of Quests members like Vernon Cornelius and Reggie Verghese. He no longer keeps taps on the pop scene now, he confessed, chuckling that he is too entrenched in music hailing from his formative years." The best music is what you grow up with," he said. "Hopefully, our current generation can also appreciate that fact that good local music was produced and supported in the 1960s."

- An article featured in the Straits Times by Yong Shu Hoong.

2008/09/02

Reg Guitar

This man needs no introduction, Reginald Verghese ! Better known as the lead guitarist of The Quests, Reg is often referred to as the Guitar Guru of Singapore. In addition, Reg was a very successful record producer of EMI Singspore during the 70s and a talented composer who penned several Quests recordings that include Come On And Shout, Love Has Gone, The Man From Madrid, Dum Dum, I'm On Top Of The World (with Keith Locke), Instrumentally Western, A World Of Tomorrows, Gallopin', I'm Feelin' Good, Champagne and You Are Standing By Me. After The Quests disbanded upon their return from Hong Kong, Reg recorded a series of 8 albums on his own, featuring instrumental hits from both the Western and Eastern pop scene. Thank you for the music, Mr. Guitar Man !

2008/08/22

Diamonds Are Forever

This box-set of 4-CD compilation was released by Universal Music in Hong Kong in 2006. There are a total of 76 tracks featuring the best of Hong Kong pops from the 60s era. Some of the groups and artistes that contributed to this great CD package included Kong Ling, The Fabulous Echoes, Marilyn Palmer, Rowena, Teddy Robin & The Playboys, Danny Diaz & The Checkmates, The Zoundcrackers, The Lotus, Joe Jr & The Side Effects, The Mystics, Anders Nelson & The Inspiration, D'Topnotes, Mod East, The Menace, The Magic Carpet, The Living Set, Mike Souza, Michael Remedios, Deanie Ip, among others.

2008/08/18

A Postcard From Hong Kong

Dear Loving Fans,
We are on our way back. Hong Kong is nice but as the Beatles said it "Get back to where you belonged..." That's what we are doing. And by the way, prior to our departure we recorded a groovy EP. Though we know the kind of music you go for, we still had quite a hard time picking out the real cool ones from our ever-expanding repertoire. See, we couldn't let you down. So don't let us down fans. Get your copies !
Fond Love,
The Quests

Music Makers

Music Makers, a compilation album of EMI artistes from the 60s. Produced by guitar guru Reggie Verghese, this album included contributions by The Quests (Hawaii Five-O, Memphis Street, Love At First Sight, When The Clock Strikes Twelve), Anita Sarawak (Baby It's You, Conversations), The Jetliners (Baby, Think), Sugiman (Adios Amour, If You Go Away), Rita & Sakura (Bala Bala) and Irene Ryder (I'll Never Fall In Love Again).

2008/08/17

The Stylers

The Stylers, one of the most popular instrumental groups from the 60s , started out as The Angels in their early days and recorded their first Mandarin EP with a singer by the name of Maggie in 1962 under Miracle Records. Since then, led by the versatile John Teo, the group had came a long way and recorded several Mandarin instrumental albums, including some vocal ones in English and Hokkien as well. They were one of the few groups that had their own recording company over the years.

They were so popular during the 60s that their music accompaniment were much sort after by top artistes like Chang Siow Ying, Lena Lim, Wang Ching Yeng, Rita Chao, Sakura Teng, Suyin, Chopsticks Sisters, Ming Choo Sisters, Wu Kang, Yuli, Loong Piau Piau, Xie Cai Yin, Kok Peng Keen, Ervinna, Jenny Tseng, Rahimah Rahim and many others, when they recorded their respective albums.

The original Stylers were John Teo (lead guitar) Randy Lee Keng (rhythm guitar) Frankie (bassist) and Osman (drummer). Later, when Frankie and Osman left the group, they were replaced by Douglas Tan (bassist) and Alvin Wong (drummer).

The photo featured above was taken at the Victoria Memorial Hall. Standing from left to right, Robert Song and John Teo and seated from left to right, Alvin Wong, Douglas Tan and Randy Lee. Stylers music is still available on CDs today, check it out at Chinatown. Most members of the group are still active in the music scene today.

2008/08/12

Elisa Chan

"Music is the key to my life, it opens up my heart and soul, it reveals my deepest emotions. It helps me to achieve my goals, it extends my imaginations & fantasies in different dimensions and of course, to understand what passion is all about. As a singer, my ultimate satisfaction is to share music with other music lovers or musicians through sensational melodies, lyrics and wonderful arrangements. This feeling is so strong and unique that often brings me joy and heart breaks. Throughout my singing career, I've encountered and performed so many unforgettable songs that were written by musical talents all over the world. Most of them remained deep in my heart and became part of my life (and in the future, I know there is more to come!). To perform some of these masterpieces again, is not only a dream come true, it also makes me feel proud and privileged because I am able to do it with some of Hong Kong's best musicians whom I admire with all respect. Yes, music has helped me to realise nothing is impossible, do it with your heart, do it with passion, someday, you can make your dreams come true. Thank you for sharing this dream and journey with me" - Elisa Chan, from the album "IMPOSSIBLE".

The tracklist included Time (Clock of the Heart), Out Here On My Own, Betcha By Golly Now, Within' You'll Remain, Ain't No Sunshine, All In Love Is Fair, And I Love Her, Got To Get You Into My Life, Sorry Seems To Be The Hardest Word, A Song For You and You've Got A Friend. The great Tokyo Square hit "Within You'll Remain" was composed by Donald Ashley and P. Wong. On this album, she and Donald Ashley did a duet of the song.